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Wednesday 21 March 2012

Film Chaar Din Ki Chandni Review



Director Samir Karnik’s Yamla Pagla Deewana last year was a laugh fest. The director, who is back with another comedy named Char Din Ki Chandni was expected to take his charms to next level. But his weak script and dialogues ruin the beauty of stalwarts' performances in the movie.

Chaar Din Ki Chandni movie is a comedy laced with romance and is set against the backdrop of Rajasthan at a four-day wedding. It revolves around a Rajput family and a family from Punjab, who are caught in a situation, which creates a comedy of errors. The film has nothing much to boast about, except the performances of the lead actors. There is lot more to talk about drawbacks in the movie.

The biggest drawback of the film that is it lacks a good story. It glorifies a tiny subject into a full-fledged drama. Secondly, it lacks freshness and it looks like old wine in new bottle. The music of the film is another big let down in the film. Kabir Lal's camera work and Mukesh Thakur's editing are good in parts.

Maharaja CV Singh (Anupam Kher) has five sons and Veer (Tusshar Kapoor), who is only educated guy in his film, is perusing his studies in London. He comes to home to attend his sister's wedding and he brings his girlfriend Chandini, Kulraj Randhawa, who he is in love with at his mansion in Jodhpur. But the troubles start when he introduces her as journalist who is interested in covering his sister’s royal wedding. Whether Veer announces his love before his daddu or not will form the crux of the film.

The best part of the movie is the wonderful acting by various actors. Lead stars Tusshar Kapoor and Kulraj Randhawa have delivered brilliant performances. Anupam Kher has also given a flawless acting. Om Puri, Farida Jalal, Mukul Dev, Sushant Singh, Chandrachur Singh, Harish, Johny Lever and Anita Raaj are also good in their respectively roles.

On the whole, Chaar Din Ki Chandni is an enjoyable and entertaining fare and will pick up on the strength of positive mouth publicity.

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